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Golden Sun: Any% No Save & Quit in 3:42:37

Video: https://youtu.be/Iez9SHW4-bg
The previous WR was 3:48:18, also by me.
The No Save & Quit categories in Golden Sun were created as a response to RNG manipulation dominating mainline categories. Since RNG manipulation requires you to save/reset in order to preform it, this ruleset effectively eliminates all RNG manipulation from the run creating a category which resembles a more classic RPG speedrun.
Any% No S&Q has received a lot of attention over the last three months.
submitted by TLPlexa to speedrun [link] [comments]

[USA-NJ] [H] AGS 101, PS2, Games for NES, SNES, N64, GameCube, Wii, Wii U, PS2, PS3, Xbox, Xbox 360, Amiibo [W] PayPal

Have a lot of stuff available for sale! I can provide pictures, just ask. Shipping is $3 for single items, $1 for each additional. I will add insurance for high value items at no additional cost. Prefer to ship in USA only but willing to ship abroad if you are willing to cover shipping costs. p.s. I have 67 confirmed trades!
PLEASE comment here before sending a PM, it is a requirement on this sub!

CONSOLES

NES games

Star Tropics 1 & 2 CIB - Star Tropics has some wear to box as noted in photos but the contents are mint. It even includes the letter which is still attached to the manual! Star Tropics 2 Zoda's Revenge is in near mint condition all around. Both have the styrofoam inserts. Star Tropics has the bag, Zoda's Revenge does not. Both are Rev-A and Zoda's Revenge comes with a precautions booklet which I assume was a late cycle thing. My asking price is $54 for Star Tropics and $40 for Zoda's Revenge.
Multiple loose carts, all in amazing condition, priced as follows:
These prices do not include the cart sleeves. There are 10 of these and they are the plain black sleeves. I'm selling them for $1 each. If you buy a sleeve with a cart then there's no additional charge for shipping. If you buy multiple sleeves shipping is $3 flat, so if you just want to buy the 10 sleeves then the total will be $13.

SNES games

N64

GameCube

Wii

Wii U

3DS

DS

GBA (loose unless otherwise stated)

GBC (all are loose)

GB (all are loose)

PS2

PS3

Xbox

Xbox 360

IBM Tandy

Amiibo

Collectibles

(Shipping can be combined on posters at no additional cost)
Not interested in any trades unless you have something from the following list:
Switch
3DS
GBA
GameCube
DS
GBC
submitted by MiamiSlice to GameSale [link] [comments]

New Golden Sun Any% No Save & Quit WR - 3:42:37

Video: https://youtu.be/Iez9SHW4-bg
The previous WR was 3:48:18, also by me.
The No Save & Quit categories in Golden Sun were created as a response to RNG manipulation dominating mainline categories. Since RNG manipulation requires you to save/reset in order to preform it, this ruleset effectively eliminates all RNG manipulation from the run creating a category which resembles a more classic RPG speedrun.
Any% No S&Q has received a lot of attention over the last three months.
submitted by TLPlexa to GoldenSun [link] [comments]

[USA] [H] Limited Print Switch games, LRG cards, Amiibo cards, more [W] Vasara Collection, Furi, Gris, Prof Layton vs Phoenix Write, Infinite Space, Amiibo cards, more

Everyone is trading Amiibo cards so I am too. I am also looking to get some of the limited print Switch games that I slept on. Willing to do mixed trades except I'm reserving my limited print games for other limited print games. Also hoping to do fair value.
p.s. fair warning, these lists are long, I have a lot of stuff for trade!
p.p.s. when I say "CIB" I mean including all the booklets and such that were supposed to come in there.

HAVE

AC Amiibo cards
SRG trading card packs (all are sealed)
Switch games and accessories
Wii U
Wii games and accessories
GameCube games and accessories
N64 booklets
Most of these have wear
NES games and accessories
Pictures of most items here
3DS games and accessories
DS games and more
GBA
GBA Video sealed titles
Pictures here
GBC games and more
GB games and more
SEGA Genesis games
PS3 games
PS2 games
Pictures of most games here
PSX games
Pictures of most games here
Xbox
IBM Tandy
PC
Strategy guides and gaming magazines
Pictures of most guides here
Collectibles and posters
Comic Books
Random Stuff

WANT

AC Amiibo Cards
Mario Sports Amiibo Cards
Amiibo
LRG Cards
Cards for Flinthook, Dust, Slime San, Shantae and the Pirate's Curse, ToeJam and Earl, Golf Story, Dragon's Lair Trilogy, PixelJunk Monsters 2, Lumines Remastered, Yooka-Laylee, Blazing Chrome, Battle Chef, Windjammers, The Escapists and Saturday Morning RPG
Limited Print Switch Games (prefer CIB but also fine with NIB)
Other Switch Games (looking for CIB and clean)
3DS Games
DS
GBA
GBC
GB
Wii
GameCube
N64
PS3
PS2
PSX
I'm also happy to look at lists, but these are my priority wants.
submitted by MiamiSlice to gameswap [link] [comments]

A post mortem of Britney Jean, 5 years later

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“I can't believe this is my eighth studio album and I know I keep telling you that it is my most personal record yet, but its true and I'm really proud of that”
This quote from The Legendary Miss Britney Spears would most likely haunt her for the rest of the career, especially because it came in the eve of the release of her infamous 2013 album Britney Jean, whose title anticipated a rare introspective look into a star with over a decade on the spotlight (most of the times for the wrong reasons)… also, it came right after her previous album, 2011’s Femme Fatale, became her first full-length effort without any songwriting input from the Princess of Pop, although a Japanese bonus track features a co-writing credit from her.
Of course Britney Jean deserves most of the criticism it receives and yet, it also deserves way more than just being outright ignored even by most of Britney’s diehard fans: Britney Jean is more than just Work Bitch and 13 b-sides, is more than Brit’s most dated-on-arrival release… Britney Jean is a case study of what was pop in its time, what changed and why it stopped being as popular as it once was….

POP BEFORE BRITNEY JEAN

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Early 00s pop music was being left aside by the general public during the heydays of gangsta rap, Timbaland/Pharrell-infused R&B and rock/nu-metal… at least until around the period between 2007 and 2009, the start of the Golden Era for popheads: The anthemic choruses, the prominent synths, the light and care-free nature of the lyrics, everything was there to pump you up and make you dance… however everything would change in 2013, when streaming was finally introduced to the Billboard formula. After the satirical K-pop track Gangnam Style by Psy took the world by storm, it was noticed how in the United States the song was blocked from the top spot by the inconsequential One More Night by Maroon 5, even if Style had the lead in sales for most of the 12 weeks it stayed at the Top 10 (as you might have guessed, radio had something to do with that), pushing Billboard to update their methodology and add streaming to the mix.
The first song that benefited from the change in the tracking methodology would prophetize what would come next for the charts in general: Harlem Shake, a nearly-instrumental meme song debuted at the top spot and stayed there for 6 weeks total. Another novelty song, Ylvis’ The Fox (What Does The Fox Say?) would visit the Top 10 later in the year based on virality alone.
Although rap, indie music and more traditional pop music found their way during this year, the presence of outliers like Lorde’s Royals, genre-defying tracks like Avicii’s Wake Me Up! (a country/folk tinted EDM anthem) and Florida Georgia Lane’s Cruise (considered the grandfather of the bro-country genre, made popular on pop radio thanks to a tackled-on rap feature by Nelly), and the aforementioned viral hits not only showed that general audiences were craving something new, but their success would pave the way for a big change in pop music.

BRITNEY BEFORE BRITNEY JEAN

"Sometimes you don't need to use words to go through what you need to go through, sometimes it's an emotion you need to feel when you dance, that you need to touch. And the only thing that can touch it is when you move a certain way."
Britney Spears on the For The Record documentary, one of the rare glimpses she gave us on her life before Britney Jean
Britney, of course, was partially a pioneer and a tail-rider of the maximalistic electro sound of the era, as proven by the influence and cult following of what most people consider her magnum opus, or at least her more direct and honest album, 2007’s Blackout, which is ironic considering that Britney only has two writing credits in the whole project and how even The Unstoppable Danja called it ‘impersonal’.
After Blackout, Britney would continue to ride the same sonic palette with her follow-up, 2008’s Circus and then move onto Femme Fatale, which, in spite of its “forward-thinking” nature (as described by the label-appointed producer and current persona non grata Dr. Luke) and slick production, it was heavily criticized for its anonymity and lack of input of the singer in the record, which led to Britney to defend herself stating, rightfully, that she had nothing to prove.

THE MAKING OF A PERSONAL ALBUM

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The mastermind behind Britney Jean was none other than hitmaker will.i.am, whose involvement on the record came as a surprise to no one given how they have collaborated twice at that point and get along really well (you can read more about it in this post I made a couple of months ago), however, the Black Eyed Peas frontman doesn’t deserves all of the credit for the record as Britney herself decided that she would be more involved and had a pivotal role into the making of this record.
Although the early stages of the album pointed towards a more hip-hop release, will.i.am’s involvement and her chemistry with Britney put her forward into the recording and making of the album.
Realizing that she wanted a more straightforward release that wasn’t as bouncy and genre-hopping as her predecessors, Britney searched with will.i.am a series of collaborators that could help her bring her ideas to life, as she didn’t wanted to sing impersonal songs that her team just happened to receive; this, unfortunately, ruled out the involvement of the Saint Patron of pop production Max Martin, although it relegated Dr. Luke to a sole bonus track so that’s a win in my book. Britney Jean is her only release in which she’s credited as a co-writer in each track, including bonus tracks… her closest before that was In The Zone in which 9 of the 14 (including bonus) tracks sported a Britney co-write.

THE PERKS OF BEING A PERSONAL ALBUM

I have been through a lot in the past few years and it has really inspired me to dig deeper and write songs that I think everyone can relate to […] I want to show you the different sides of Britney Spears.
I am a performer.
I am a Mom.
I am funny.
I am your friend!
I am Britney Jean.
Britney Jean Spears
Britney has never been the kind of performer that would pour her soul into her lyrics, and even have occasionally distanced her private life from her lyrics (she famously rejected the Timberlake-bashing Sweet Dreams My LA Ex, later given to ex-S Club 7 member Rachel Stevens as her debut single), although in the few glimpses we have gotten from her real persona (the stunning Everytime and the dubious My Baby for example) have always leaved her fans with the idea of her getting more involved with the subject matter of the tracks… I mean, the exploration of fame in tracks like Circus and Piece of Me are great, but what about explorations of who is Britney?
Britney Jean is her first album released in her 30s, and after finally deciding to get this involved in the songwriting department 15 years into her singing career was no fluke: chalk it up to coincidence, to the fact that it was long due given her background (Britney had lived A LOT of unwanted stuff during her career, married twice, had two kids, survived the most public mental breakdown unimaginable and more while being one of the most successful female performers currently working… also, that year she had ended her engagement with her manager Jason Trawick) or to misogyny (if you wanna go there) but female singers seems to go personal and/or mature in their 30s, with some popular examples including Madonna’s Like A Prayer (described by her as being "about my mother, my father, and bonds with my family"), Mariah Carey’s post-divorce genre-bender Butterfly (if her birth year is believed to be 1969), Beyoncé’s whole post-Matthew Knowles era (4 was released three months before she turned 30), Nicki Minaj’s back-to-my-roots release The Pinkprint and Katy Perry’s purposeful woke pop release Witness (Katy, I love you but 💀) among others.
Another thing to consider is that doing “personal” songs have always being interpreted as tracks with stripped-away or piano-driven arrangement, something that Britney, who had sung about being on the club or having sex (or even both on the same track) so many times it kinda become her trademark, is not something she’s might get allowed to do, especially when the current-at-the-time pop scene and Britney’s then-current sound were a far cry from the kind of sound these “confessional” tell-all songs normally have.

#BritneyPleaseSavePopMusic

(this was a real hashtag that was worldwide trending topic on Twitter in September 2013)
With the anticipation of what a Britney-fied personal record would sound like, anticipation was in an all-time high among fans… so it was natural that her most introspective record would be anchored with an EDM song called Work Bitch. In Britney’s defense, will.i.am pointed out almost immediately how the braggadocio track didn’t represented the album but it was rather about Britney Spears herself.
Promoted with what was heavily rumored to be a 6.5-million-dollars budgeted video which was supposedly heavily sanitized from its originally sexed-up original version (more on that later), the video itself represented most of the promotion the whole album received, as the album’s second and final single (Perfume) was left to rot in negligence after the album’s release.
Outside of a couple of TV appearances (not performances, just interviews), including one to promote her then-upcoming “2-year” Las Vegas residency Britney Spears: Piece of Me, and an E! documentary about the making-of the album and said residency, no actual promotion took place for Britney Jean, which led to the inevitable.

BRITNEY UNLEASHES HER MOST “PERSONAL” ALBUM

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Britney Jean was unleashed to the world on December 3rd of 2013, one day after the Princess’ birthday, and was a big commercial disappointment, debuting at number 4 on Billboard with sales of 107,000 copies (a little bit more than a third of the sales of Femme Fatale), even lower than those of her debut album …Baby One More Time; 3 years after its release, BJ had sold less in the United States than FF in its opening week, although it was eventually certified Gold by the RIAA… this February. Internationally, the release didn’t fare any better and debuted at record-low positions for her releases in most international markets, including missing the Top 30 in the UK.
As most of you already know, reviews we’re nasty all around, the worst of Britney’s career. Because of the somewhat mean content of some of those reviews, I would instead resume what are the biggest perks critics had with the release:

SING A SONG OF SIXPENCE, MISS BRITNEY SPEARS

After one of the songs leaked ahead of the album’s release, there were accusations that backing vocalist Myah Marie (who had appeared on Brit’s previous two albums) was the lead singer not only on said leaked track but also in a large portion of the album (this is what she sounds like), accusations that Marie herself denied as well as Britney’s reps.
Her representatives claimed that Marie wasn’t involved in neither Perfume nor Passenger, the tracks that were the source of most of the controversy, and ultimately she wasn’t credited in none of those songs, although she’s credited as a (not background) vocalist in several of the other tracks of the album (mostly the Preston-produced songs as Work Bitch, Tik Tik Boom, Til It's Gone, Chillin' With You and Now That I Found You), including Alien (in which she’s not credited), who had a vocal steam leak in 2014 which showcases how uncanny is Myah’s impression of Britney is. A credited background singer is Sia in her co-composed single Perfume, which was the source of a weird misstep when Britney was caught lip-syncing to a version of the song with Sia’s vocals forefront in the mix.
A lot has been said about how Britney’s signature singing ‘baby’ voice is not her real one, how do they compare and how much damage has done to Brit’s current vocal chops, and even though she can still sing wherever she wants to, it’s quite obvious that she’s not that comfortable with it and, as such, she prefers to enhance her voice with the use of technology and some studio trickery… also, she might have gotten used to it considering how effortless and vivid were her earlier performances… here’s I’m A Slave 4 U at the 2001 VMAs just because how iconic it is.

BRITNEY JEAN… BY BRITNEY JEAN SPEARS

"People can take everything away from you, but they can never take away your truth.
The question is: Can you handle mine?"
Britney Spears in a song that’s not from this album and not originally from her
Described by critics as “a concept album about the loneliness of pop life”, Britney Jean actually open with quite a promise with Alien, a mid-tempo, melancholic, airy, ethereal dance pop opener that works as a more teenage-sounding version of Ray of Light, which is not surprising considering the involvement of said album’s mastermind (the aforementioned William Orbit) and that sonically picks-up where FF closer Criminal left off, but lyrically is quite different, as it portrays Britney having an intimate and personal realization that she, after years of tumultuous and erratic events, has lost grip of who she was and how she felt like an extraterrestrial in her own world; however she realizes that she’s not longer alone as she looks at the glow in the stars as a light to guide her home away from her insecurities of the past, and to feel safe and finally finding comfort in her true skin, as the chorus repeats the catchphrase ‘not alone’ “until it is pitchshifted up like a departing space ship”
Originally intended to include Gaga in the song (and also supposed to be released as a single, which unfortunately didn’t happened), Alien was considered the conceptual and musical highlight of the project by critics, and is easily the most personal, vulnerable and my personal highlight of the project… which made everything that came afterward a hard pill to swallow. Before that, I can’t help to mention THE GLITCH (2:14 in the song), which was apparently, as everything wrong with music of the period, will.i.am’s fault.
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Work Bitch (alternatively known in censored form as Work Work, or in the explicit version as Bitch Bitch) is a hard hitting EDM smasher and heavy mood-whiplash, which was definitely not co-written by Sebastian Ingrosso, in which Britney gently asks us (over a basic club beat which grows more overloaded as the song moves forward) is we want a hot body, an European luxury car (either a Bugatti, a Maserati or a Lambo skirrt skirrt skirrt) or to sip martinis while partying in a big mansion in France, only to disappoint us by calling us bitches and telling us to better work as if we were supermodels and she was RuPaul.
WB is, if you wanna practice some mental gymnastics, more ‘personal’ than its given credit for, as Britney details how much benefits she gets from hustling all these years, and inviting us to dance with that smashing wall-of-sound-laden beat that drowns most of the track. Way more forward-thinking and exciting that everything that comes after it, WB has become somewhat of a new classic for the Princess of Pop, and is pretty much deserved of said designation.
Perfume, co-written by Sia, is another album highlight (actually Britney’s favorite from the album) and one of the finest ballads of Brit’s late-catalogue. Written about her ex-fiancé Jason Trawick, the song deals with Britney’s insecurity about a current relationship, with Britney singing with some of her strongest vocals in years about how she believes that her partner is cheating on her and how she puts on her perfume in order to mark her territory. Released with a tie-in with her perfume Fantasy, the song kinda flopped worldwide and halted all of the promotion of the album, however it still remains (alongside the rawer Dreaming Mix, included as a bonus track) as one of the most interesting songs in 2010s Britney catalogue.
The music video, directed by known troll and middling talented videomaker Joseph Khan, has an unreleased director’s cut in which the straightforward concept of a cheating partner is changed to that of Britney playing the Angelina Jolie role in a gone-wrong version of Mr. and Mrs. Smith sans the boyfriend who is also an assassin.
It Should Be Easy finds Britney’s voice drown in both the auto-tune setting used by Kanye for the Runaway coda and the vocals of guest-star will.i.am in the chorus, all while produceco-writer David Guetta rehashes Swedish House Mafia (which originally broke up the same year in which BJ was released). The song, about Britney imagining a bright-normal-future with a man who had stolen her heart, stating that love “shouldn't be complicated”. Although I like this song, and her team obviously likes it to as it commissioned remixes to be serviced to clubs, it signals when things start to go somewhat downhill.
Tik Tik Boom, the T.I.-assisted fifth track, was always dubbed as a potential third single (remixes were commissioned but nothing official ever came up), and it’s not hard to see why: as one of her rare collaborations with a rapper, the static-y, dance-floor ready production presents Britney teasing a male partner with a night of… well… tik tik boom… that means sex, doing so while serving some circa-2001 sexy vocals as T.I. raps about treating her like an animal up to the point that PETA (which hates Britney) should be called in response. It’s fast, it’s straightforward and yet, it’s kinda forgettable and also very disappointing coming from or Princess Urbanney.
Guetta comes back with Body Ache, another outdated EDM bop in which Brit (accompanied by vocoder and several dozens of vocal distortion treatments) sings about the kind of ‘I wanna dance so hard it gonna turn you on’ anthem which Miss Spears can do on her sleep, with a backtrack that sounds straight out of the EDM will.i.am was doing with the Peas during the Beginning/E.N.D. era. Also it ends in a somewhat anticlimactic way.
Personal Britney makes a return with this track that wouldn’t be too out of place in FF: The Guetta co-written Til It’s Gone, in which Brit realizes that, after losing the love of her life (Trawick), her life would never be the same, or how “you never know what you got 'til it's gone”. Coming some two years to late sonically, in terms of lyrics the track it’s another story, as some interesting imagery pops here and there and it’s nice to leave the dance floor behind, especially when talking about a woman who (at least in the previous albums) rarely shut up about them.
Katy Perry arrives on the record but not as a feature, but as a writer, in the Diplo-produced, Sia-co-written and Prism outtake Passenger, in which some interesting EDM beats moves out of the way after the opening (they come back, don’t worry) to reveal a refreshing and very welcome electropop rock song with some great Britney vocals about letting someone to guide her after she’s willing to let herself be his ‘passenger’. Great lyrics, daring production, good vocal performance… it’s not hard to see why critics loved this track so much, and it’s a shame it gets buried among so much underwhelming stuff.
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Chillin’ with You, the album’s most infamous moment, finds Britney dueting with her sister, ex-Nickelodeon star and attempted country singer Zoey Meredith Brooks, about hanging out together and drinking wine (Brit likes red, Chase Matthews' ex likes white wine) while, as the southern white suburban moms they are, they feel they have nothing else to worry about. Although the lyrics are… well… cute, and the subject matter is decidedly novel by Britney’s standards, the mixture of country and EDM doesn’t mash as well as the producers might had expected… also, the fact that their vocals were so obviously recorded in different sessions (as showed by the kind of chemistry you only see in cheesy 70s movies starring John Travolta and Lily Tomlin) makes the whole ordeal so surreal.
The album closer in the standard edition is Don’t Cry, a FUCK YOU MR. TRAWICK song in which Britney reassures his man that it’s not worthy to cry as their relationship was always directed to end no matter what they do, and how she’s gonna go to not see him all tear eyed. The bouncy but subdued dubstep back track by pop goblin and producer will.i.am enhances what is arguably Britney’s best vocals in the whole album and some really nice lyrics which still doesn’t work as an album closer.
Sia comes back in the first bonus track of the deluxe edition, Brightest Morning Star, and she brings with her current pop Pariah (that would be Dr. Luke, but he’s only in this track) to the mix, on a track about God (or maybe about her kids, according to Dr. Puke), or at least one that implies to be one; in Sia’s words: ‘Britney was extremely sweet. She came in with the title ‘Brightest Morning Star’ and told me that’s how Jesus found his way. She wanted to write a kind of gospel song that wasn’t ramming it down your throat’. Despite the good intentions, BGS is no Jesus Walks and it gets short in the musical department, with a surprisingly weak instrumental which doesn’t do any good service to the song.
Britney continues her religious quest with Hold on Tight, a mid-tempo ballad that in which Miss Spears details how God comes into her dreams (or it might be an Incubus?) showing her the path to righteousness, even when the road is not as friendly with her, and… to be honest, this is my least favorite song on the album, it’s just so forgettable even if it’s quite refreshing in the context of BJ.
To end the evening, Britney continues her unintentional audition to become a gospel singer with Now That I Found You, a shameless EDM track (with early-10s euphoric drop and everything) about how incomplete she was until she found Him (to be honest, this could also be another love song, but after two bonus tracks about God it’s easy to see where she was pointing towards with the vague lyrics) and how everything is better now. Unlike the forgettable predecessors, NTIFY is fun (dated? Sure… but also fun), it’s bright, it’s colorful, it’s happy, and one of my favorite songs on the record… even if co-writer Guetta basically ripped off his own hit Without You from 3 years before.

u/radiofan15’s UNWANTED OPINION ABOUT BRITNEY JEAN

Britney Jean is not an autobiography, it’s not a tell-all gossip-venting machine, it’s a clean, overproduced product of misdirection and lack of focus… and yet it’s actually fascinating in several ways: it’s arguably the greatest resume you would find of how pop music sounded in between 2008 and 2013, it’s a great bridge between the impersonal heavily-polished Femme Fatale and the serviceable and engaging Glory, which saw Britney leading the way on how everything would sound from the start.
It’s quite ironic how the album’s naming (taking a cue from Janet Jackson’s Damita Jo, her actual middle name) plays against it, as self-titled releases (unless they are debut albums) are associated with being in control of your output or reinventions (pop examples includes Paramore as their first release as a trio, Beyoncé to fit the minimalistic sounds and Janet Jackson’s janet. to showcase independence from the Jackson family) and unless you’re Led Zeppelin, Peter Gabriel or Weezer, the idea of having a second eponymous release usually means that audiences should expect to experience the performer in a never-seen before way. 2001’s Britney was the album that give a meaning to the phrase “I’m not that innocent” spurred in her previous effort, with lyrics talking about womanhood and sexuality being complemented with R&B vibes and rock/hip-hop elements. Britney Jean, when compared to Femme Fatale, is way behind the difference between Britney and Oops!... I Did It Again, which in retrospective is even worse as the relative freshness and reinvention of Glory leaves the ‘openness’ and ‘variety’ of BJ in shambles.
One of the album’s biggest mistakes is in its sequencing: the first three tracks are the obvious highlights, the next three are basically DOA EDM songs, the next four are the most “adventurous” musically speaking and the bonus tracks are all about God. Taking out some of the ‘pure club’ anthems could theoretically create an album more deserving of its ‘personal’ label, going full Spinal Tap and amp up the production values to do something crazier might have given us something that was at least digestible in a single listening.
The album, as it is, is not perfect, but it’s far from the dumpster fire more people called it, including some of the most interesting Britney songwriting in years (or even her career) and some tracks that are already started to show signs of cult classic. The only positive thing most people seems to agree with is how short it is: with the alternative mix of Perfume included, BJ is ‘only’ 50 minutes long (the standard edition is just 36 minutes long), which is something most performers (even today) seems to struggle with.
Also, she didn’t came to play games with the art cover and aesthetics this era, the album cover and the booklet is her most gorgeous to date, with the former having her most flattering front picture of any of her albums and the neon typography creating a very pleasing contrast with her elegant black-and-white imagery (in the deluxe edition) or the elegantly, milky pastel coloring of the standard edition.

THERE CAN BE 100 LISTENERS IN THE ROOM AND 99 LEAVE BUT ONE... - BRITNEY JEAN THE DAY IT DEBUTED

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Britney and her team gave up quite easily on Britney Jean and, honestly, they shouldn’t be blamed: the offer to have a Vegas Residency with a salary of $15 million dollars per year seems like the kind of offer a pop star and mother of two with enough money already for several timelines would accept, with the album itself being more of an afterthought.
Britney was originally slated to remain on the Planet Hollywood Resort & Casino for two years but ultimately extended her run for another two years, before finally touring overseas (without an album attached to the performances) during 2017 and 2018.
Because of the lack of promotion, Britney Jean underperformed when compared to Miss Spears’ previous releases, with estimated worldwide sales (as of April 2018) being close to 1.3 million copies, less than a third of Femme Fatale’s sales.
Truth be told, BJ flopped hard… HOWEVER, not everything would have turned out that terrible (not even in a million years it would have sold as much a FF but at least the downfall could have been smaller) with some actual promotion and interest from Brit herself.

SOME REACHING… I MEAN… THE SIGNIFICANCE OF BRITNEY JEAN

BJ is, in my opinion, a compilation of the era, the resume of “in the previous episode of” that you get on serialized TV shows, a farewell to the bombastic era of synth-heavy EDM club anthems with gratuitous drops and interchangeable lyrics. During the genre’s opus, some performers tried to bend this sound (and their equivalents) to their benefit, either mixing it with their style or playing with the boundaries of the sound: it could be a Taylor Swift doing a We Are Never Getting Back Together to get a broad crossover hit, a Lady Gaga mixing multiple genres to create a sonically complex pastiche called Born This Way, or even straight-up jumping almost seamlessly from rap/R&B to club bangers like Nicki Minaj did in Roman Reloaded. Britney in Britney Jean did almost the opposite of that.
Britney Jean is, in some ways, a time capsule of the era in its rawest and purest form (some might differ and replace those buzzwords with generic and bland), with the average user being able to trace mostly any track to a style, influence, sub-genre or even performer. Listening to BJ is like watching a 70s movie in VHS in an old, square TV, basically an unintentional period piece that reflects the volatile, bombastic and extravagant style of those golden years of 2008-2013, which, within the mindset of Britney Jean sounds kinda tired and bland, surprising no one when that branch of pop went back into obscurity and irrelevance almost as fast as grunge music did when Kurt Cobain died.
Britney Jean came up in a time of transition of popular music, with streaming showing the kind of power it had on the charts and more subdued, minimalistic music taking the world by storm. Popular music, as you might already noticed, evolved into a slower, more melodic, calculated, numb, almost anticlimatic entity which was more fitting with our current social and political climate. To paraphrase Todd in the Shadows: 2013 had a hit literally called Happy and 2018 had both a hit called SAD! and another called Happier with a video about a dog that dies.
In terms of Britneyology (both the study of Britney Spears and the religion dedicated to her persona), BJ is also a glimpse into Britney the full-fledged artist. Britney has never been the kind of performer that gets heavily involved into her music, with Britney’s role being generally limited to the choice of songs, sequencing, development of sounds and themes with her assigned team of writers and producers, and performing of course; sometimes Britney gets involved into the heavier portions of her music (the classic Everytime is a great example of it) but most of the time she remains quite anonymous, with her voice and choice being overwritten by the men on charge, something that became quite apparent during and after the Dark Ages (2004-2008) with the cancelling of the legendary Original Doll, her lack of songwriting credits in both Blackout and Circus, and her much-criticized anonymity in Femme Fatale.
BJ was Britney deciding who does want to work with, what does she wants to sing and even how to equilibrate her musical and visual persona. Britney has always being in control of how is she portrayed on official media, most famously rejecting an animated concept for the video of …Baby One More Time in favor of a Lolita-inspired take on catholic school girls, and then the slow process from jailbait to grownup woman. During the post-production of the Work Bitch video, she clashed with director Ben Mor over the kind of content the video should show, as she was a mother in her 30s now instead of an unreachable male gaze fantasy.
With BJ, the Legendary Miss Britney Spears showed us how much she has changed since that controversial 2003/2004 period (the last time she was that involved with an album) in which she received the Kiss of Death from Madonna, suffered her infamous accident and, of course, married twice in a calendar year. This new Britney was a much-different person, and her voice deserved to be heard, and even if the results weren’t the greatest, it was a step into the right director for Britney to get what she always wanted: being a full-fledged artist capable of taking her own decisions and learning from her mistakes.

POP AFTER BRITNEY JEAN

https://preview.redd.it/382f3hucce221.png?width=1500&format=png&auto=webp&s=b270179e2de3c085b7dd38ea838588f2f45d9e4b
Coincidentally in 2014 most of the ambassadors of the dominant pop sound of the early 10s were either taking a musical break, flopping or changing lanes, so that year paved the way for the transition of what do we define as popular music, with the winners of the evolution race being trap (Fetty Wap’s Trap Queen), meme music from awful people (Bobby Shmurda’s Hot Nathans) or untalented losers (T-Wayne’s Nasty Freestyle, Silentó’s Watch Me), trop pop (OMI’s Cheerleader, Justin Bieber’s entire Purpose era) or whatever outlier track dared to pass through those filters.
What happened afterwards is a horror story most of popheads tells in fire camps a la Are You Afraid of the Dark?

BRITNEY AFTER BRITNEY JEAN

Glory , the follow-up Britney Jean, received very positives reviews and was considered a strong return-to-form for Britney, and even if it wasn’t as successful as her label might have wanted, the truth is that, at the end of the day, whatever Britney decides to do next (and considering the direction she seems to be taking) it can be as underwhelming as Britney Jean.
​
https://preview.redd.it/t7rph8g4ce221.png?width=500&format=png&auto=webp&s=0b8d0a459f5caed0d41c087c7658cce2e79f2210
submitted by radiofan15 to popheads [link] [comments]

Today's Pre-Market News [Friday, March 1st, 2019]

Good morning traders and investors of the stocks sub! Welcome to March! Here are your pre-market movers & news this AM-

Today's Top Headlines for Friday, March 1st, 2019

STOCK FUTURES CURRENTLY:

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YESTERDAY'S MARKET MAP:

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YESTERDAY'S S&P SECTORS:

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TODAY'S ECONOMIC CALENDAR:

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NEXT WEEK'S ECONOMIC CALENDAR:

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NEXT WEEK'S UPCOMING IPO'S:

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NEXT WEEK'S EARNINGS CALENDAR:

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THIS MORNING'S PRE-MARKET EARNINGS CALENDAR:

($FL $PTLA $PEGI $STRA $TGNA $EBIX $SNH $SSP $TRCO $WUBA $XRAY $OMER $KOP $ICD $ASTE $CLNY $NWN $CORE $EVFM $KVHI)
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THIS AFTERNOON'S POST-MARKET EARNINGS CALENDAR:

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NONE.

EARNINGS RELEASES BEFORE THE OPEN TODAY:

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EARNINGS RELEASES AFTER THE CLOSE TODAY:

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YESTERDAY'S ANALYST UPGRADES/DOWNGRADES:

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YESTERDAY'S INSIDER TRADING FILINGS:

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TODAY'S DIVIDEND CALENDAR:

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THIS MORNING'S MOST ACTIVE TRENDING TICKERS:

  • TSLA 3.69%
  • PTLA 7.46%
  • OMER 6.93%
  • FL 12.55%
  • NTNX 24.20%
  • VFF 3.02%
  • GPS 20.50%
  • MAXR 23.53%
  • SPLK 4.50%
  • XON 11.54%

THIS MORNING'S STOCK NEWS MOVERS:

(source: cnbc.com)
Foot Locker — The athletic footwear and apparel retailer reported adjusted quarterly profit of $1.56 per share, compared to the $1.40 a share consensus estimate. Revenue also beat estimates, and a comparable-store sales increase of 9.7 percent was more than double the 4.6 percent prediction of analysts surveyed by Refinitiv.

STOCK SYMBOL: FL

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Tesla — Tesla announced that it would sell a $35,000 version of its model 3, that future sales would be online only, and that it did not expect to be profitable during the first quarter. CEO Elon Musk did say he expects the automaker to return to profitability during the second quarter.

STOCK SYMBOL: TSLA

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Gap — Gap announced it would split into two separate publicly traded companies. The apparel retailer's Old Navy unit will become a standalone company, with the Gap and Banana Republic brands remaining. Separately, Gap announced quarterly profit of 72 cents per share, 4 cents a share above estimates. Revenue came in slightly below Wall Street forecasts and comparable-store sales unexpectedly fell.

STOCK SYMBOL: GPS

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Nordstrom — Nordstrom came in 6 cents a share above estimates, with quarterly earnings of $1.48 per share. The retailer's revenue fell below Wall Street forecasts as customers bought less at its regular stores and more at its off-price locations. Nordstrom did give a 2019 full-year earnings forecasts that is largely above consensus.

STOCK SYMBOL: JWN

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Dell Technologies — The computer maker reported better-than-expected revenue in its first report since returning as a public company. Dell also gave a revenue forecast for its full year that is mostly above analysts' forecasts. The company reported operating income of $331 million during the quarter but did not issue a per-share earnings number.

STOCK SYMBOL: DELL

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Amazon.com — New York Governor Andrew Cuomo has been talking to Amazon executives in an attempt to get them to reconsider the decision to abandon a planned headquarters in Long Island City, New York.

STOCK SYMBOL: AMZN

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Marriott — Marriott reported adjusted quarterly profit of $1.44 per share, 5 cents a share above estimates. Revenue was below analysts' forecasts and the company forecast lower-than-expected full-year profit, as demand weakens in the North American market.

STOCK SYMBOL: MAR

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AT&T — AT&T said HBO CEO Richard Plepler is stepping down, and The Wall Street Journal is reporting that Turner president David Levy will announce his departure as soon as today. Both executives came to AT&T as part of its acquisition of Time Warner last year.

STOCK SYMBOL: T

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WPP Group — WPP reported better-than-expected profit and revenue, and the world's largest advertising company also issued a better-than-expected full-year forecast.

STOCK SYMBOL: WPP

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Kraft Heinz — Kraft Heinz faces a shareholder lawsuit accusing the company of defrauding shareholders about its business prospects. The suit comes after the food maker announced a $15.4 billion writedown and slashed its dividend, resulting in a 27.5 percent one-day plunge for the stock.

STOCK SYMBOL: KHC

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Nutanix — Nutanix reported quarterly loss of 23 cents per share, 2 cents a share smaller than Wall Street had expected. Revenue was also above Street forecasts, however the cloud computing company gave a much-weaker-than-expected full-year forecast, with Nutanix saying it is in the process of addressing weaknesses in marketing and sales.

STOCK SYMBOL: NTNX

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Caesars Entertainment — The casino operator announced an agreement with investor Carl Icahn, appointing three Icahn nominees to the board to replace three existing directors. Icahn will also have the right to appoint a fourth director if a new CEO who is acceptable to the new directors is not named within 45 days.

STOCK SYMBOL: CZR

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DISCUSS!

What's on everyone's radar for today's trading day ahead here at stocks?

I hope you all have an excellent trading day ahead today on this Friday, March 1st, 2019! :)

submitted by bigbear0083 to stocks [link] [comments]

The Weekly [Fresh]ness - week of Sunday, October 27, 2019

Sunday, October 27, 2019
Post Link Score User
[FRESH] Robert Glasper: J Dilla Tribute | Boiler Room NYC link +231 zigzagzig
[FRESH] Jonwayne - Jesus is Lord, Minus Jesus (Kanye West Remix) link +189 DontBlameConan
[Fresh Video] Wondha Mountain - Divine Madness ft. Yung Lean link +55 woodenhorse_eyeshake
[FRESH] Adamn Killa & Yung Lean - Black Car link +42 BOLMoney
[FRESH] RiFF RAFF - BUTTERSCOTCH BABE RUTH link +40 lemonchicken91
Monday, October 28, 2019
Post Link Score User
[FRESH ON STREAMING] FUTURE - MONSTER link +4528 BrimTrim
[FRESH VIDEO] Big K.R.I.T. - M.I.S.S.I.S.S.I.P.P.I. link +574 arielgreenwood
[FRESH VIDEO] Blood Orange - Dark & Handsome link +563 sereneflash
[FRESH VIDEO] Chance the Rapper ft. MadeinTYO & DaBaby - Hot Shower (Official Video) link +395 tierdrop
[FRESH REUPLOAD] Drake - Sneakin (feat. 21 Savage) link +223 XIJ3S0NXX385
[FRESH VIDEO] Step Brothers (Evidence & The Alchemist) - Burnt Tree link +152 S070
[FRESH VIDEO] Roddy Ricch - Start Wit Me (feat. Gunna) link +137 tofuyuki
[FRESH] Craig Xen - ROOTED link +49 wetiki
[FRESH] Normani - Motivation ft. 21 Savage link +37 eternallatake
Tuesday, October 29, 2019
Post Link Score User
[FRESH VIDEO] Maxo Kream - 3AM (Official Video) ft. ScHoolboy Q link +2823 blackdrizzy
[FRESH MIXTAPE] Toro y Moi- Soul Trash link +460 Outraged_Piggy
[FRESH ALBUM] Apollo Brown - Sincerely, Detroit link +214 MMan0114
[FRESH] Clams Casino - Rune link +198 renrider
[FRESH] YBN Nahmir & Xavier Wulf - "Clutch Kickin" (Prod. Foreign Vu) link +56 ZudikazZ_
[FRESH] Da$h - HellRose (prod.THELATERPEOPLE) link +55 kyokt
[FRESH ALBUM] Apollo Brown - Sincerely, Detroit link +35 _patagucci
[FRESH] B.o.B - Pennywise link +31 itsjoho
[FRESH VISUAL ALBUM] Toro y Moi - Soul Trash link +29 sidTHAkid
[FRESH VIDEO] Dave East - Survival Documentary (Part 1) link +27 calnassar14
Wednesday, October 30, 2019
Post Link Score User
[FRESH] dvsn - No Cryin (feat. Future) link +427 LilBe
[FRESH] Y2K & bbno$ - Lalala Remix ft. Enrique Iglesias & Carly Rae Jepsen link +371 badvices7
[FRESH VIDEO] A$AP Ferg, MadeinTYO - WAM link +351 7aane
[FRESH] Westside Gunn - Kool G (ft. Conway and Benny) link +297 OkPark
[FRESH] Skepta & AJ Tracey - Kiss and Tell link +228 ErenOz01
[Fresh Video] D Smoke - Last Supper performance (includes Piano portion) link +147 jayquez
[FRESH] Buddy- Hollyhood (feat. Kent Jamz) link +114 JacksonKem
[FRESH] Westside Gunn - KOOL G (Feat. Conway The Machine & Benny The Butcher) link +86 tcone1986
[FRESH VIDEO] Hopscotch - Joji, AUGUST 08, Barney Bones, & Rich Brian link +73 hella_sauce
[FRESH ALBUM] BabyTron - Bin Reaper link +29 pswjt1
Thursday, October 31, 2019
Post Link Score User
[FRESH] 21 Savage - Immortal link +2979 VicTheChick03
[FRESH EP] Lil Peep - GOTH ANGEL SINNER link +1029 TheRealKidsToday
[FRESH VIDEO] Vince Staples - Episode 02: Sheet Music link +891 TheJakInDaBox
[FRESH] PlayThatBoiZay - POISON KLAN (ft. Denzel Curry, Anonymuz) link +310 _Kyul_
[FRESH ALBUM] Yelawolf - Ghetto Cowboy link +295 OhhWowzers
[FRESH ALBUM] Apollo Brown - Sincerely, Detroit (ft. Royca Da 5'9'', Elzhi, Black Milk, Slum Village, etc etc..) link +290 MindsEye_
[FRESH] Vince Staples - Sheet Music link +225 NoFlexZone6
[FRESH VIDEO] LUCKI - 4 The Betta link +180 TheJakInDaBox
[Fresh Video] Pivot Gang- Hero link +173 Elonmusketeer512
[FRESH VIDEO) M3XX D4MIAN - Last Chance (ft. Natalis) link +168 m3xxd4mian
[FRESH] Sheck Wes - YKTS link +127 sereneflash
[FRESH VIDEO] Smokspurpp - Stevie link +120 jeremicci
[FRESH] Jon Connor - Homicide Freestyle link +100 bzgoldman
[FRESH VIDEO] Lil Peep - When I Lie link +81 jeremicci
[FRESH VIDEO] An long-form interview I did with slowthai (where I also tattooed him) hope you guys like it link +77 professorskateboard
[FRESH SINGLE] 21 Savage - Immortal link +70 souljahamed
[FRESH] PlayThatBoiZay - Poison Klan (feat. Denzel Curry & Anonymuz) link +61 ItsBigVanilla
[FRESH ALBUM] ANKHLEJOHN - LORDY IS GOD link +58 SoTheFliesDontCome
[FRESH] Skepta & AJ Tracey - Kiss and Tell link +54 saifkhan001
[FRESH] Smokepurpp - Stevie link +45 Muitas
[FRESH EP] Chester Watson - Nebulous link +44 Definitely_not_Doug
[FRESH VIDEO] Young Dolph- Tric Or Treat link +41 drshark628
[FRESH] Bizarre - Leather Face ft Hopsin, King Gordy, Lazarus link +33 im2gr84u
[FRESH] Skye - VOICES (feat. XXXTENTACION) [Official Video] link +30 RileyTaugor
[FRESH VIDEO] Kevin Gates - By My Lonely link +27 OhhWowzers
Friday, November 1, 2019
Post Link Score User
[FRESH EP] Earl Sweatshirt - Feet of Clay link +6458 TysonRhodey
[FRESH VIDEO] Earl Sweatshirt - EAST link +3031 latenightcateyes
[FRESH ALBUM] Gang Starr - One of the Best Yet link +2539 warmnigga
[Fresh] Young Thug - Hot (Remix) [Feat. Gunna & Travis Scott] link +1630 ape124
[FRESH] 6LACK with KENNY BEATS on The Cave link +1627 Such_a_pessimist
[FRESH VIDEO] Young Thug - Hot (Remix) [feat. Gunna & Travis Scott] link +1407 NoFlexZone6
[FRESH] Ski Mask the Slump God - Carbonated Water link +1289 NoFlexZone6
[FRESH ALBUM] Westside Gunn - Hitler Wears Hermes 7 link +760 chesterthechessist
[FRESH] The Game - Stainless (Ft. Anderson .Paak) link +563 gimmeyopublishing
[FRESH ALBUM] Brother Ali - Secrets & Escapes (Produced by Evidence) link +464 abucalves
[FRESH] Trippie Redd - Love Me More link +339 TysonRhodey
[FRESH] Earl Sweatshirt - Feet Of Clay link +327 39clocks
[FRESH] Lupe Fiasco - Hey Lupe link +251 dont_worry_im_here
[FRESH] Kid Cudi - Privilege (The Weeknd remix) link +184 keller500
[FRESH VIDEO] TEYANA TAYLOR - Morning (feat. Kehlani) link +174 RodeoIsTrash
[FRESH] Miguel - Funeral link +163 OhhWowzers
[FRESH VIDEO] DaBaby - Off Da Rip link +163 ImRBJ
[FRESH] The Cool Kids - Dipped (prod. Kenny Beats) link +131 MrE1623
[FRESH VIDEO] Wiki - Pesto (Official Music Video) link +120 venusHIGHtrap
[FRESH EP] Lupe Fiasco - Chill's Spotlight link +110 justouttoday
[FRESH] Teyana Taylor - Morning (ft Kehlani) link +89 markoxpolo
[FRESH] Denzel Curry, PlayThatBoiZay, Anonymouz - POISON KLAN link +88 Brekfastnook
[FRESH VIDEO] Earl Sweatshirt - EAST link +73 MickDragon
[FRESH ALBUM] Hoodrich Pablo Juan - DMV link +68 HoundOfJustice
[FRESH] Earl Sweatshirt - 4N (feat. Mach-Hommy) link +57 silencexmusic
[FRESH] Westside Gunn - Lucha Bros (feat. Benny & Curren$y) (Prod. Alchemist) link +53 tcone1986
[FRESH] bbno$ - Shining On My Ex (feat. Yung Gravy) link +52 IAmMclovin17
[FRESH VIDEO] Yung Bans - Partna in Crime (Dir. by @ColeBennett) link +45 nostylist2900
[FRESH VIDEO] Young Thug - Hot ft. Gunna & Travis Scott [Official Video] link +39 Bueoareo
[FRESH ALBUM] Krept & Konan - Revenge Is Sweet link +37 LMaschen
[FRESH VIDEO] Trippie Redd – Love Me More link +35 lurkbender
[FRESH ALBUM] Rod Wave - Ghetto Gospel link +25 OhhWowzers
Saturday, November 2, 2019
Post Link Score User
[FRESH] Frank Ocean - In My Room link +7320 hzj
[FRESH VIDEO] Frank Ocean - In My Room link +874 GurJobD
[FRESH VISUAL] Frank Ocean - In My Room link +798 goobcs
[FRESH VIDEO] YNW Melly ft Glock9 - 223's link +275 AllKnowingBeing
[FRESH] Gang Starr - What’s Real (Feat. Group Home & Royce 5’9″) link +98 lemonchicken91
[FRESH] Not Lovely - matterlightblooming (I'm in this band, this album took three years and ended up as an existential hip-hop/jazz odyssey, its sick) link +73 JeremyPudding
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CPC Loop Den Haag Halve Marathon 2018 - Sub 1:12 attempt

CPC Loop Den Haag Halve Marathon

I ran this race a few weeks back, but I just wanted to get it out before my marathon report. I wrote this report in Norwegian here, and I've removed some not very important things to make the translation quicker. Sorry for any mistakes, I tried to translate this one pretty fast.
Training for a marathon takes multiple months. When I signed up for the Rotterdam Marathon, the race were 142 days away. It helps to have a few other goals along the way. A half-marathon 4 weeks before the marathon is perfect timing to test your fitness and practice race day stuff.
Haag is only a 30-minute traindrive away from Rotterdam, so the weather and terrain is very similar. It's mostly flat as a pancake with a great chance of some wind.
Both plane tickets and hotel are fairly cheap if you order early. In addition you can get the bib for free and a place in the sub elite-field if you have ran under 1:15:00 previously. My best time was only 1:15:23, but I got in since it was the first half of a marathon.
I thought I should run no slower than 1:12:xx to have a shot at 2:29 four weeks later. I set my goal at 1:11:59.
Traning and injury
The training before this race went very well for the most part. During the last 20 weeks before the race, I only had one week where I didn't hit 100 km. In an average week I ran around 160-180 km.
The last few weeks, however, became very troublesome and far from what I had planned. After an indoor session I got a relatively strong pain on the inside of my left foot. I continued to run in the hope that it would disappear, but eventually I came to the point that I did not dare to run anymore because I knew something was wrong. It meant three days of rest in a row. Perhaps not so bad in the big context, but it sucked since my last day without running was November 8th. I had not planned another rest day before after the Rotterdam Marathon.
Strava training log with some ugly holes
After examination by a doctor and eventually an MRI to check for a stress fracture, I am at least be allowed to ride an indoor bike and train on the elliptical. After three days with no training, and four days with only cross training, I get a phone call while I'm on the elliptical.
Finally I get an answer back on my images. Fortunately, there are no signs of a stress fracture, but it is very likely that there is an inflammation of one (or two) tendons in the foot. After talking to two different physiotherapists and both of them saying that I can run, I finally try again at the treadmill. It's still not painless, but it's better than last time I ran. I had really given up the race in The Hague, but maybe I could travel anyway and log an easy long run? After all, everything was paid in advance. Now I had to hurry home and pack my bag.
Race day
I tried a short run after arriving in The Netherlands and it felt much better than expected. It felt so good that I switched my focus from running easy to actually racing tomorrow.
Ready to go
The race doesn't start before 14:30 (2:30 PM). It's great to relax in the morning, but it makes the whole process of food and drinks more difficult. I prefer to start between 8 and 10 AM, because then you only have to eat breakfast.
I start the day with a short shakeout run. A very short run to get the body ready for what's about to happen. Then there is time for breakfast and back to the hotel room. With over four overs left to the gun, there is plenty of time to do absolutely nothing.
Three hours later we are on our way to the starting area. Another distance is ongoing when we enter the park. The atmosphere takes me and a switch turns over. We locate the sub elite tent and find a place where we can relax and put our things while warming up. Pretty nice, but the warm up gets very clumsy.
I run a little back and forth on the wet grass before we have to be back at the tent to be escorted to our starting field. The escort was nothing more fancy than a lady walking horribly slowly towards the start and showing us where we were entering our starting pen. This is probably something I will skip if I decide to do this race next year again. Now it's even harder to warm up, but I get a few strides in before getting ready to race.
The race
The gun goes off and as expected, it's total chaos. I just focus on staying on my feet. As usual, some people are almost sprinting past me, while others are running in at a tempo that looks like an easy jog. Why these people always start at the front, I will never know.
Eventually I find a good rhythm. I spend the first half km to pass a lot of runners. Smaller and larger groups are starting to form. The first kilometer is done. My watch beeps and says 3:22. It's a good start. I have been doing some sessions on the treadmill in what I have believed to be half-marathon-speed. I have done those sessions at 3:24/km or 17.6 km/h. That's the average speed I have to run for a 1:12. Apart from that, I have not memorized the splits or typed them out on my arm this time. I have a more relaxed relationship with this race than I usually have. 2-3 days ago, I would not even start at all. I run one km at a time and hope the fun goes on. So far it feels very nice.
The next kilometers are used to chase group by group. The goal is to find a group running at my desired speed. Somewhere I can only join in and cruise without thinking too much. It is easier said than done. Soon I will pass todays first female elite opponent. It looks like a perfect group. She has many runners around her and some also seem to be there just to pace her. Unfortunately, I realize quite quickly that the pace is too slow. I have to go on. First 5k in 16:51. It's quite perfect. Just slightly too fast.
I'm still chasing new groups in front of me. The other runners around me are happy with the pace it seems. I have to take a lot of wind at the front with another Norwegian. I ask what his goal is and he answers around 1:12. That's good news. A couple of km later my roommate comes up to the side and asks how it goes. "Good" I answer and try to hang on as speeds up. It's a pace I can not sustain till the finish. 3:18 on the clock for km 8. It's close to my pace when I ran my 10k PR in October. There's no chance I can run like this to the end, but for now I'm just happy to get some help. Fortunately, the pace soon goes down to more reasonable times. My watch shows 33:54 after 10 km.
Soon I'll take over the lead again, but my friend is never far behind. We run into an area with more turns than otherwise. My left foot is not happy about that. It hurts more for every turn and I'm getting more and more careful. Apart from this, I do not remember very much from this part. We pass areas with very good spectator coverage, while other areas are more lonely. Every time there are tramlines in my way, I try to avoid them.
I'm starting to notice that the race costs a lot more than it should muscularly. The hips and thigs are the body parts that transmit the strongest signals. It's no wonder when I have almost not ran in the last two weeks and suddenly I'm going to run 21,1 km as fast as I can on asphalt. You don't find that recipe in many training programs.
15 km is passed in 50:50. I do not really know how I'm doing any longer. Some kms have gone too fast and others have gone a little bit slowly. I've seen both 3:27, 3:18 and what's in between. I know I have to take out what I have left to accomplish my goal. At the same time, it feels like some parts of my body are starting to fall off.
We approach the beach. There is a small hill here. I don't mind. I get the opportunity to change my stride a little bit. Suddenly it seems like we are in a totally different country. We run past bars, restaurants, casinos and a ferris wheel. Since we ran up here we will also run down. Downhill is really worse now. I'm trying to lean the body forward to let gravity do its job.
I'm approaching two other female elite runners. They have a motorcycle that shows the time. Talk about luxury. I want that too, but suddenly I do not want it anymore, because I run past them. I'm really trying to push hard now. The body starts to become very stiff, especially the thighs.
20 km is passed in 1:07:46. The time looks good, but the last kilometer went away at 3:27. It worries me. Will I fade? It's 1.1 km left. I push as much as I manage and pick off a few more runners. It really starts to cost a lot right now. I'm looking for a sign to tell me how much I have left to run. Soon I can see the goal. It's terribly far. I try to keep up the pace, but can not help being caught by two runners I overtook a while ago myself. I give a last final sprint and stop the clock as I pass the finish line.
The clock shows 1:11:25 and it is also the official time. I can be very pleased with that today. I thought I would not be able to run at all. I've improved my HM PR by 3:58. A few seconds later my friend comes in under 1:12 as well.
Strava
Splits
Post-race thoughts
I can not be anything but pleased with the race, as I ran faster than the goal and in addition did it after a very tricky build-up. It was not a perfect race, but it was a good one. I think maybe I could see 1:10:xx with a better build-up, but it will have to wait until next year. 1:11:25 shows that 2:29:59 is realistic in Rotterdam, and that was the main point of the race here.
Happy with my finish time
Thanks for reading and sorry again for any mistakes. I had to do this one pretty quickly. I hope to have my race report from the Rotterdam Marathon out soon.
submitted by Simsim7 to artc [link] [comments]

Today's Pre-Market News [Friday, March 1st, 2019]

Good morning traders and investors of the wallstreetbets sub! Welcome to March! Here are your pre-market movers & news this AM-

Today's Top Headlines for Friday, March 1st, 2019

STOCK FUTURES CURRENTLY:

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YESTERDAY'S MARKET MAP:

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TODAY'S MARKET MAP:

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YESTERDAY'S S&P SECTORS:

(CLICK HERE FOR YESTERDAY'S S&P SECTORS CHART!)

TODAY'S S&P SECTORS:

(CLICK HERE FOR TODAY'S S&P SECTORS CHART!)

TODAY'S ECONOMIC CALENDAR:

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NEXT WEEK'S ECONOMIC CALENDAR:

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NEXT WEEK'S UPCOMING IPO'S:

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NEXT WEEK'S EARNINGS CALENDAR:

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THIS MORNING'S PRE-MARKET EARNINGS CALENDAR:

($FL $PTLA $PEGI $STRA $TGNA $EBIX $SNH $SSP $TRCO $WUBA $XRAY $OMER $KOP $ICD $ASTE $CLNY $NWN $CORE $EVFM $KVHI)
(CLICK HERE FOR THIS MORNING'S EARNINGS CALENDAR!)

THIS AFTERNOON'S POST-MARKET EARNINGS CALENDAR:

([CLICK HERE FOR THIS AFTERNOON'S EARNINGS CALENDAR!]())
NONE.

EARNINGS RELEASES BEFORE THE OPEN TODAY:

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EARNINGS RELEASES AFTER THE CLOSE TODAY:

(CLICK HERE FOR THIS AFTERNOON'S EARNINGS RELEASES!)

YESTERDAY'S ANALYST UPGRADES/DOWNGRADES:

(CLICK HERE FOR YESTERDAY'S UPGRADES/DOWNGRADES LINK #1!)
(CLICK HERE FOR YESTERDAY'S UPGRADES/DOWNGRADES LINK #2!)

YESTERDAY'S INSIDER TRADING FILINGS:

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TODAY'S DIVIDEND CALENDAR:

(CLICK HERE FOR TODAY'S DIVIDEND CALENDAR LINK #1!)
(CLICK HERE FOR TODAY'S DIVIDEND CALENDAR LINK #2!)
(CLICK HERE FOR TODAY'S DIVIDEND CALENDAR LINK #3!)
(CLICK HERE FOR TODAY'S DIVIDEND CALENDAR LINK #4!)

THIS MORNING'S MOST ACTIVE TRENDING TICKERS:

  • TSLA 3.69%
  • PTLA 7.46%
  • OMER 6.93%
  • FL 12.55%
  • NTNX 24.20%
  • VFF 3.02%
  • GPS 20.50%
  • MAXR 23.53%
  • SPLK 4.50%
  • XON 11.54%

THIS MORNING'S STOCK NEWS MOVERS:

(source: cnbc.com)
Foot Locker — The athletic footwear and apparel retailer reported adjusted quarterly profit of $1.56 per share, compared to the $1.40 a share consensus estimate. Revenue also beat estimates, and a comparable-store sales increase of 9.7 percent was more than double the 4.6 percent prediction of analysts surveyed by Refinitiv.

STOCK SYMBOL: FL

(CLICK HERE FOR LIVE STOCK QUOTE!)
Tesla — Tesla announced that it would sell a $35,000 version of its model 3, that future sales would be online only, and that it did not expect to be profitable during the first quarter. CEO Elon Musk did say he expects the automaker to return to profitability during the second quarter.

STOCK SYMBOL: TSLA

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Gap — Gap announced it would split into two separate publicly traded companies. The apparel retailer's Old Navy unit will become a standalone company, with the Gap and Banana Republic brands remaining. Separately, Gap announced quarterly profit of 72 cents per share, 4 cents a share above estimates. Revenue came in slightly below Wall Street forecasts and comparable-store sales unexpectedly fell.

STOCK SYMBOL: GPS

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Nordstrom — Nordstrom came in 6 cents a share above estimates, with quarterly earnings of $1.48 per share. The retailer's revenue fell below Wall Street forecasts as customers bought less at its regular stores and more at its off-price locations. Nordstrom did give a 2019 full-year earnings forecasts that is largely above consensus.

STOCK SYMBOL: JWN

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Dell Technologies — The computer maker reported better-than-expected revenue in its first report since returning as a public company. Dell also gave a revenue forecast for its full year that is mostly above analysts' forecasts. The company reported operating income of $331 million during the quarter but did not issue a per-share earnings number.

STOCK SYMBOL: DELL

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Amazon.com — New York Governor Andrew Cuomo has been talking to Amazon executives in an attempt to get them to reconsider the decision to abandon a planned headquarters in Long Island City, New York.

STOCK SYMBOL: AMZN

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Marriott — Marriott reported adjusted quarterly profit of $1.44 per share, 5 cents a share above estimates. Revenue was below analysts' forecasts and the company forecast lower-than-expected full-year profit, as demand weakens in the North American market.

STOCK SYMBOL: MAR

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AT&T — AT&T said HBO CEO Richard Plepler is stepping down, and The Wall Street Journal is reporting that Turner president David Levy will announce his departure as soon as today. Both executives came to AT&T as part of its acquisition of Time Warner last year.

STOCK SYMBOL: T

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WPP Group — WPP reported better-than-expected profit and revenue, and the world's largest advertising company also issued a better-than-expected full-year forecast.

STOCK SYMBOL: WPP

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Kraft Heinz — Kraft Heinz faces a shareholder lawsuit accusing the company of defrauding shareholders about its business prospects. The suit comes after the food maker announced a $15.4 billion writedown and slashed its dividend, resulting in a 27.5 percent one-day plunge for the stock.

STOCK SYMBOL: KHC

(CLICK HERE FOR LIVE STOCK QUOTE!)
Nutanix — Nutanix reported quarterly loss of 23 cents per share, 2 cents a share smaller than Wall Street had expected. Revenue was also above Street forecasts, however the cloud computing company gave a much-weaker-than-expected full-year forecast, with Nutanix saying it is in the process of addressing weaknesses in marketing and sales.

STOCK SYMBOL: NTNX

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Caesars Entertainment — The casino operator announced an agreement with investor Carl Icahn, appointing three Icahn nominees to the board to replace three existing directors. Icahn will also have the right to appoint a fourth director if a new CEO who is acceptable to the new directors is not named within 45 days.

STOCK SYMBOL: CZR

(CLICK HERE FOR LIVE STOCK QUOTE!)

DISCUSS!

What's on everyone's radar for today's trading day ahead here at wallstreetbets?

I hope you all have an excellent trading day ahead today on this Friday, March 1st, 2019! :)

submitted by bigbear0083 to wallstreetbets [link] [comments]

Varmuuskopio "FIN: Finnish Addition to Easylist" -mainostenestolistasta (adb.juvander.net, kuului aiemmin uBlock Originin filtterilistoihin)

Ylläpitäjä harjoitti poliittista sensuuria, lista poistettiin uBlock Originista ja joistain muista ohjelmista. Lista on nähtävästi poistettu myös kotisivuilta, tässä todennäköisesti viimeisin versio (suomalaisille sivuille ei ole tietääkseni ollut toista kattavaa listaa vuosiin):
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